Minneapolis Michael

“ Mr. Soderbergh, like Jean-Luc Godard in the second half of the 1960s, is less concerned here with finish or coherence than with an authentic, on-the-fly recording of a moment, and right now that moment — the weeks just before the last presidential election, when the financial system was in midcalamity — is at once too close and too emphatically in the past for it to make a lot of sense. ” - from A.O. Scott’s review in today’s New York Times. Very much looking forward to seeing this tomorrow.